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MASONIC TREATISE with an ELUCIDATION on the RELIGIOUS AND MORAL BEAUTIES of FREEMASONRY
Dedicated,
by permission, to William Perfect, Provincial
Grand Master for the County of Kent by W.
Finch, Canterbury Second
Edition M.DCCC.II _________________________________________ Transliterated
by Alexander
Horne San
Francisco, September 29, 1956 _________________________________________ Type
Reset by R\W\
Gary L. Heinmiller Area
11 Historian, Grand Lodge of F&AM, New York Liverpool,
New York December
1995
Introduction
Finch seems to have fallen
from favor and is accused of having financial motives for his
'Treatise.' Nonetheless his Treatise is interesting as one of the early
masonic catechisms. There were many 'degree peddlars' and expositors in the
earlier days of the Craft, to whom, with a certain degree of 'Thanks' we owe our
knowledge of some of the catechismal Work, of which we would not otherwise have
knowledge. I believe that AQC has written about Finch and his 'Treatise' [e.g. vol. LV]. Albert G. Mackey discusses him
in his Encyclopaedia of Freemasonry, in such glowing terms as: "Finch, William. A Masonic charlatan, who flourished at the end of the last and the beginning of the present century [sic]. FInch was a tailor in Canterbury, who, having been expelled for misconduct by the Grand Lodge, commenced a system of practical Masonry on his own account, and opened a Lodge in his house, where he undertook to initiate candidates and to give instructions in Masonry. He published a great number of pamphlets, many of them in cipher of his own, which he pretended were for the instruction of the Fraternity. Finch found many dupes, and made a great deal of money. But having on one occasion been sued by an engraver named Smith, for money due for printing his plates, Finch pleaded an offset of money due by Smith for initiation and instruction in Masonry. Smith brought the Grand Secretary and other distinguished Masons into court, who testified that Finch was an imposter. In consequence of this exposure, Finch lost credit with the community, and, sinking into obscurity, died sometime after, in abject poverty."
R. W. Bro. Gary L. Heinmiller Notes
The Following remarks on the transliteration of the Finch Ritual may be
of interest:
1. The Codes used by Finch in his cipher Ritual have been given by Bro.
F. M. Rickard in his Paper on "William Finch," in Ars Quatuor
Coronatorum, Vol. LV. p. 241, and less completely in Mackey's Encyclopedia
of Freemasonry, art. "Finch". They are completely inadequate,
however, when it comes to words that are indicated by initial letters only, or
by dots or dashes. I have therefore filled in these blanks by reference to the
corresponding passages in Browne's Master-Key (2nd Ed. 1802), the current
Emulation Lectures (A. Lewis, 1919), and an almost identical Ritual
Working -- the Vancouver MS. -- now in the possession of Western Gate
Lodge, B.C.R., Vancouver, B. C.
Examples:
2. The incompleted transliteration, indicated by dots and initials in the
second column above, is explained by the practise carried out in the Emulation
Lectures, where certain significant words are so treated, to "hele and
conceal" where required. Similar initials and blank spaces have been
preserved throughout this transliteration, wherever the same words appear in Emulation
so treated. They should present no difficulty to the "industrious
craftsman".
3. Uncertain passages as well as interpolations are indicated by double
parentheses ((like this)) or by square brackets [like this]. In some instances,
the source of the suggested equivalent is given.
Examples:
4. Single parentheses are as in the original (like this), except in the
case of obvious explanatory interpolations or corrections. Omitted letters or
words have been filled in, and are indicated by square brackets in the customary
manner. Typographical errors, however, or errors in spelling, have been
preserved as in the original.
Alexander Horne
San Francisco, 1956.
This reset edition varies from the dittoed copy used as the source for
this edition because:
1. The ditto ink was too
faded and blurred to be reproduced by other than resetting the type, also the
paper was very aged and mottled with ditto ink.
2. The format has been
streamlined with more legible text, justified margins, section headings and such
other 'computer age' enhancements as would assist the reader and/or researcher.
The original MS. has been faithfully reproduced to include grammatical,
punctuation and spelling errors. Long passages have been broken at such points
as colons and semicolons to assist the reader in comprehending the material. The
Masonic world abounds in variations of the Ritual, each one helps to shed a
little light on the overall theme of the allegory concealed within. Masonry is
more than a social or beneficent organization. Deeply concealed within the
'Ritual' are ageless Teachings and Truth, awaiting the those dedicated few who
would, with a True Heart, Knock.
This Ritual is said to represent a working used by Wm. Finch, and to some
extent by others, around the turn of the century (ca 1802).
Among the many elements within this work are three entire ‘Sections’
comprising no less than 69 Questions and Answers given over to a very minute
analysis and description of the Temple (KST), its location, its architectural
features, and its appurtenances. (King Solomon’s Temple in the Masonic
Tradition, pgs. 139 & 140, by
Alex Horne [the ‘transliterator’ of this Ritual], The Aquarian Press, 1972.)
G. L. H.
Liverpool, New York
December
1995 |